Tanner Trilogy 03 - Backstreet Child

  Backstreet Child

  HARRY BOWLING

  www.headline.co.uk

  Copyright © 1993 Harry Bowling

  The right of Harry Bowling to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

  Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.

  First published as an Ebook by Headline Publishing Group in 2011

  All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

  Cataloguing in Publication Data is available from the British Library

  eISBN : 978 0 7553 8146 3

  This Ebook produced by Jouve Digitalisation des Informations

  HEADLINE PUBLISHING GROUP

  An Hachette UK Company

  338 Euston Road

  London NW1 3BH

  www.headline.co.uk

  www.hachette.co.uk

  Table of Contents

  Title Page

  Copyright Page

  Dedication

  1938-9

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  1940-1

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  Chapter Thirty-Four

  Chapter Thirty-Five

  1944

  Chapter Thirty-Six

  Chapter Thirty-Seven

  Chapter Thirty-Eight

  Chapter Thirty-Nine

  Chapter Forty

  Chapter Forty-One

  Chapter Forty-Two

  Epilogue

  Harry Bowling was born in Bermondsey, London, and left school at fourteen to supplement the family income as an office boy in a riverside provisions’ merchant. He was called up for National Service in the 1950s. Before becoming a writer, he was variously employed as a lorry driver, milkman, meat cutter, carpenter and decorator, and community worker. He lived with his wife and family, dividing his time between Lancashire and Deptford. We at Headline are sorry to say that THE WHISPERING YEARS was Harry Bowling’s last novel, as he very sadly died in February 1999. We worked with him for over ten years, ever since the publication of his first novel, CONNER STREET’S WAR, and we miss him enormously, as do his many, many fans around the world.

  The Harry Bowling Prize was set up in memory of Harry to encourage new, unpublished fiction and is sponsored by Headline. Click on www.harrybowlingprize.net for more information.

  To my brother Ron, in loving memory.

  1938-9

  Chapter One

  Rain had been falling heavily all day, but as darkness set in, it finally ceased. In the empty Bermondsey backstreet the rain-sodden brickwork of the little houses glistened in the flickering light of the two gaslights, and overhead, pungent smoke from coke fires poured out of rickety chimneys towards the night sky. Rainwater ran along the gullies and down the drains with a gurgling, sucking noise, carrying with it soot and industrial dirt from the cobblestoned roadway.

  In the chill night air of the deserted street two middleaged men walked along together, their hands thrust deep into their trouser pockets. They were of the same height, though one walked with a pronounced stoop and a rolling motion of his shoulders, betraying the fact that he had spent some time in the boxing ring. His companion walked straight-backed, his cap pulled down over his forehead and his red neckerchief tied loosely round his throat. They remained silent as they rounded the elbow of Page Street and caught sight of the light from the Kings Arms public house up ahead. At the bend stood a derelict yard, its entrance barred by high wooden gates that were peeling paint, sealed with a rusting padlock. Above the heavy gates was an arched signboard which had once announced in gold lettering that George Galloway & Sons, Cartage Contractors, operated from the premises. The words had been painted over when the firm moved to a larger site and a rag sorter moved in, but he too had gone, and now the yard was left to the mice and rats.

  The straight-backed man glanced quickly at the first house on his right as they turned the corner. It was the house where he had been born, where he had grown up, until his family were forced out and had ended up stuck in the notorious Bacon Buildings nearby.

  The two rows of little houses, all with their front doors bolted against the night, led up towards the corner pub and the Jamaica Road, and as the two men walked along to the end of the turning, a lone tram rattled by, shattering the quietness of the night.

  Sounds from the bar piano reached the men’s ears, and as they entered they were greeted by the florid-faced, heavily built landlord Alec Crossley, who stood with his arms folded and his bulk pressing against the counter.

  ‘What’ll it be, gents?’ he asked.

  Before they could answer him an elderly man staggered up to the new arrivals and pushed between them, looking up at the round-shouldered one.

  ‘Bloody ’ell, if it ain’t young Billy Sullivan,’ he slurred. ‘’Ow’s the ole man? I ain’t seen ’ide nor ’air of ’im since ’e left the docks.’

  Alec leaned forward over the counter and glared at the inebriate. ‘Now I told yer before ter sit down an’ be’ave yerself, Nobby,’ he scolded him. ‘I ain’t gonna tell yer again. I can’t ’ave yer annoyin’ me customers. If yer don’t sit down I’ll chuck yer out meself. Is that understood?’

  The elderly drunk grinned lopsidedly at Billy, ignoring the landlord. ‘It’s that silly ole mare Axford. That’s who’s upset ’im,’ he explained, jerking his thumb in Alec’s direction. ‘I wouldn’t care, I was only jokin’ wi’ the scatty cow. I dunno why ’e wantsa get so upset.’

  Alec prodded the elderly man’s bony shoulder. ‘This is the last time I’m gonna tell yer, Nobby. Sit down an’ be’ave yerself,’ he growled.

  ‘All right, all right,’ the ex-docker growled back. ‘I only ’ope the new lan’lord is a bit more cheerful than you, yer miserable ole sod.’

  The angry pub owner raised his eyes to the ceiling and watched as the old man returned unsteadily to his seat in a corner, then he turned to the two men. ‘’E ’ad the cheek to ask ole Florrie Axford of all people what colour drawers she was wearin’,’ he said, shaking his head and hiding a grin. ‘If it wasn’t fer Maisie grabbin’ ’old of ’er, Florrie would ’ave floored ’im – old as she is. Anyway, the first drink’s on the ’ouse ternight. What’s yer pleasure, lads?’

  Billy Sullivan grinned at his companion and leaned an elbow on the polished counter. ‘I’ll ’ave a mild an’ bitter, Alec,’ he replied.

  The l
andlord turned to the straight-backed man. ‘What’s yours, Danny?’

  ‘I’ll ’ave the same,’ Danny Tanner told him, pushing his cap onto the back of his head and revealing a mop of fair wavy hair.

  While he was pulling down on the beer pump, Alec Crossley cast his eyes around the bar. There were the usual familiar faces, folk he had come to know very well over the years, and there were one or two strangers as well. Barflies, he thought. The sort who had heard that the pub was changing hands and had come along partly out of curiosity, and partly to see if there were any free drinks going. Well, they had been unlucky. Free drinks were for the likes of Danny Tanner and Billy Sullivan, men who had patronised the pub since they were young striplings.

  The portly landlord passed over the two pints with a wide grin. It did not seem all that long ago that the two men had stood there at the counter looking smart and proud in their army uniforms before they went off to the bloody fighting in France. How quickly the years had rolled by, Alec thought with a sudden twinge of sadness. Now it looked as though history was going to repeat itself. Another war was looming, he felt sure, despite the views of certain politicians and some newspaper editors.

  The two younger men picked up the frothing pints and raised them to the landlord in salute.

  ‘Well, ’ere’s ter you an’ yer missus, Alec,’ Danny said with a smile. ‘May yer retirement be an ’appy one.’

  ‘I’ll drink ter that,’ Billy said, taking a large gulp and rubbing the back of his hand across his lips. ‘I bet yet yer gonna miss this place.’

  Alec shook his head. ‘Me an’ Grace ’ave ’ad this place fer nigh on firty-five years an’ we’ve made a lot o’ good friends,’ he said quietly. ‘It’s gonna be sad when we leave ’ere termorrer, but we made our decision an’ there’s no goin’ back.’

  ‘Yeah, it’s a long time ter be in one pub,’ Danny remarked.

  Alec leaned forward on the counter and stroked his chin thoughtfully. ‘D’yer know, lads, I was only finkin’ about it last night. I’ll be seventy in December. Grace is sixty-five. I fink we’ve earned our retirement.’

  ‘Yer certainly ’ave,’ Danny replied. ‘Anyway, yer might be well out of it, if the curtain does go up.’

  ‘D’yer reckon it will be war?’ Billy asked, concern showing on his broad, ring-scarred face.

  ‘I’m certain of it,’ Alec told him. ‘All right, I know people was linin’ up ter cheer ole Chamberlain when ’e drove back ter Downin’ Street a few weeks ago, but yer’ve got ter look at the facts. Read yer papers an’ see what’s goin’ on in the world. Look at the air-raid shelters they’re puttin’ up everywhere, look at the amount o’ gas masks they’re dishin’ out. It stan’s out a bleedin’ mile what’s gonna ’appen. It’ll come sooner than later, if yer want my opinion.’

  The piano player was taking a well-earned rest, and among the voices raised in earnest conversation at least one was holding forth with authority about the dangers of war. Nobby Smith was beginning to irritate another customer with his expert declamations.

  ‘What’s the good o’ dishin’ out gas masks?’ he remarked to Granny Phillips. ‘That there mustard gas can burn the boots orf yer feet.’

  ‘Well, I ain’t gonna put the gas masks on me bleedin’ feet,’ Granny Phillips told him in no uncertain terms.

  ‘What I’m sayin’ is, one sniff o’ mustard gas an’ yer done for,’ Nobby persisted. ‘Yer ain’t gonna ’ave time ter put the bloody mask on.’

  ‘Oi, you,’ a voice piped up. ‘Why don’t yer stop frightenin’’er. Piss orf an’ frighten somebody else.’

  Nobby turned to the wizened figure of Jack Whitmore, a pensioner who had been making eyes at Granny Phillips for the past hour. ‘Shut yer noise, you,’ he countered. ‘What d’you know about such fings? What I’m sayin’ to ’er is, that there mustard gas is terrible stuff. A lot o’ people don’t know anyfing about it.’

  ‘Well, I was in the trenches an’ I do,’ Jack replied, his eyes bulging with temper.

  ‘Yeah, but she’s never bin in the trenches,’ Nobby went on, slurring and blinking in an effort to keep his eyes focused on his adversary. ‘The silly ole cow ain’t bin nowhere.’

  The diminutive pensioner had heard enough and he staggered to his feet. ‘I’ve a good mind ter smack yer in the chops,’ he said, his voice rising.

  ‘Yeah? You an’ whose army?’ Nobby goaded him.

  Alec had been watching the confrontation. He lifted the counter flap with a sigh and walked over to the tables. ‘Look, Nobby, I’ve ’ad me fill o’ you. Now c’mon, out yer go,’ he said firmly, hands on hips as he jerked his head in the direction of the door.

  Nobby could see that it was useless to argue and as he attempted to reach for the dregs of his ale, Alec took hold of his arm and propelled him to the door. Jack Whitmore meanwhile had taken his seat once more and he smiled in Granny Phillips’ direction, only to be given a blinding look.

  The pianist had returned and as his hands moved quickly over the keys some of the customers began singing loudly. Billy Sullivan finished his pint and turned to Danny. ‘I’ll get this one,’ he said. ‘Same again?’

  With their glasses refilled, the two men spoke of their own fears of a likely war, raising their voices to be heard against the din.

  ‘Me an’ Annie ’ave bin talkin’ about what we’re gonna do wiv the kids if the worst should come,’ Billy said. ‘She reckons we should get ’em evacuated.’

  Danny stared down at his drink. ‘I dunno what we’re gonna do,’ he replied. ‘Ter be ’onest I’d sooner keep ’em ’ere. Iris feels the same way, though we ain’t decided fer sure yet. Trouble is, Billy, if war breaks out, this area’s gonna be a target, make no mistake about it. They’re bound ter go fer the docks an’ wharves, as well as the railways an’ factories. It could get really nasty. We’ll just ’ave ter wait an’ see.’

  Billy nodded and took a swig from his glass. ‘’Ow’s your Carrie doin’?’ he asked after a while. ‘I ain’t seen much of ’er lately.’

  ‘She’s a different woman now,’ Danny replied. ‘Joe’s ’elpin’er wiv the business an’ she told me ’e ain’t touched a drop since ’e’s bin back. Young Rachel’s pleased as punch. After all, it was ’er doin’ they got back tergevver.’

  ‘Yeah, she’s a smart kid,’ Billy remarked. ‘She’s growin’ up fast too. I see ’er the ovver day, spittin’ image of ’er muvver when she was ’er age.’

  Danny afforded himself a smile. ‘Rachel’s talkin’ about joinin’ up if there is a war,’ he said. ‘Carrie’s worried over ’er. She knows very well she wouldn’t be able ter put ’er off. The girl’s too strong-willed. Like the rest o’ the family I s’pose.’

  ‘Ain’t you gonna try an’ talk ’er out of it, Danny?’ Billy asked. ‘After all, you are ’er favourite uncle.’

  ‘Not me,’ Danny replied. ‘Young Rachel wouldn’t listen ter me or anybody else fer that matter if ’er mind’s made up.’

  The singing grew steadily louder as the evening wore on and the fears of a probable war were forgotten for a little while by the Kings Arms’ customers as the pints of ale flowed. The fact that Alec Crossley was remaining quite sober on their last night in the pub did not go unnoticed by his wife Grace, and she could see that, like her, he was saddened about leaving the noisy metropolis for the comparative peace and quiet of the country. Grace had been flitting between the two bars talking to old friends and exchanging reminiscences, and she knew how sorely they would miss all the old locals.

  ‘Are you all right, luv?’ she asked Alec during a brief lull in the busy evening.

  ‘Yeah, I can’t fancy a drink ternight,’ Alec replied quietly. ‘I know it sounds stupid, but I feel sort o’ guilty.’

  ‘Whatever for?’ Grace asked, her eyebrows raised in puzzlement.

  ‘I dunno, really,’ he answered. ‘I feel like we’re runnin’ away at a bad time. I can foresee a terrible time fer this area an’ the poor sods who live around ’ere. I
keep gettin’ this feelin’ we’re desertin’ ’em.’

  Grace squeezed his hand fondly. ‘Now listen ter me, Alec,’ she began. ‘Ever since we’ve bin in this pub both of us ’ave tried ter be good listeners when it’s bin required of us. We’ve ’elped people when an’ where we could, an’ we’ve earned respect from the folk round ’ere. We can leave this pub termorrer mornin’ wiv our ’eads ’eld ’igh. Now pour yerself a stiff drink. Yer know yer get all mean an’ ’orrible when yer go wivout one.’

  Sunday evening was quiet for Carrie Bradley. She had finished going over the weekly accounts of her transport business and she leaned back in her comfortable armchair. The fire was burning brightly and the warmth had spread throughout the small parlour. Opposite her, Joe Maitland dozed, his head to one side and his arms folded over his broad chest. The wireless was turned off and only the sound of Joe’s light snoring broke the silence. Her mother would be back from evening service at St James’s Church soon and then she would get Joe to lock the front gate for the night.